Dec 10, 2015. The Museum of Modern Art, New York
Public lecture, together with Zanna Gilbert, accompanying the exhibition “Transmissions: Art in Eastern Europe and Latin America, 1960-1980.”
Event on MoMA’s website here.
White Haitians – Black Poles: Polish National Identity via Halka/Haiti
Nov 27-29, 2015, Conference “Visualizing the Nation: Post-Socialist ImagiNations,” Budapest
Paper delivered at the conference organized by Institute of Art History, Research Centre for the Humanities, Hungarian Academy of Sciences, Municipal Gallery – Kiscell Museum, Budapest History Museum, and ERSTE Foundation. Official website of the conference here.
Closing Event of the 56th Venice Biennale
Nov 22, 2015, Venice
Panel with introductions by President Paolo Barrata and Okwui Enzwezor, and presentations by the curators of Armenia (Adelina Cüberyan von Fürstenberg), Germany (Florian Ebner), Greece (Gabi Scardi), Poland ( Magdalena Moskalewicz), and Serbia (Lidija Merenik).
Halka/Haiti at GIBCA – screening and discussion
Nov 14, 2015, Göteborg International Biennial for Contemporary Art
Screening of Halka/Haiti 18°48’05”N 72°23’01”W and conversation between Joanna Malinowska, C.T. Jasper, Magdalena Moskalewicz and Stephen Langridge, Artistic Director of the Gothenburg Opera, moderated by the curator of GIBCA 2015, Elvira Dyangani Ose.
More about her biennial “A Story Within A Story” here.
Halka/Haiti 18°48’05″N 72°23’01”: New York Book Launch
July 9, 2015, CANADA, New York
The New York launch of Halka/Haiti 18°48’05″N 72°23’01″W—the publication accompanying the exhibition at the Polish Pavilion at the 56th Venice Biennale—with artists C.T. Jasper & Joanna Malinowska and the project’s curator and book’s editor Magdalena Moskalewicz.
Read More “Halka/Haiti 18°48’05″N 72°23’01”: New York Book Launch”
Central European Dictionary of Political Concepts Conference: 3rd Edition
Apr 25-26, 2014, CEFRES, Prague
For this conference, I organized one of the panels, titled “Politics of Art Languages in Central Europe” with papers by Juraj Čarný, Tímea Junghaus, Jan Zálešák, and myself (“The Language That the Art World Speaks: Case Study of Poland”). This panel served as the basis for the art section of Understanding Central Europe (Routledge, 2018).
Negligence of the Tangible: Some Very Material Conceptualism from 1960s Poland
Apr 10-12, 2014, Association of Art Historians 40th Anniversary Conference, Royal College of Art, London.
Paper delivered at the panel “Making Do – Materiality in the Conceptual Age” conveyed by Sophie Halart and Mara Polgovsky Ezcurra.
C-MAP: Reflections on MoMA’s Global Research Initiative
Mar 13-15, 2014, International Conference “Collecting Geographies: Global Programming and Museums of Modern Art,” Stedelijk Museum, Amsterdam
Paper co-authored with Zanna Gilbert delivered at the panel “Critical Readings of Global Curating.”
“Art Criticism in Times of Re-creativity” – Night Eleven at Salon Suisse
Nov 22, 2013, Official collateral event of the 55th Venice Biennale
Discussion panel with Dr. Magda Cârneci (National University of the Arts Bucharest, Romania), Dr. Magdalena Moskalewicz (Museum of Modern Art, New York, USA), Daria Ghiu (Swiss Institute for Art research, SIK-ISEA), moderated by Jörg Scheller, curator of the Salon Suisse
Writing About Late Modernist Art From a Socialist Country—Some Reflections on Poland
May 19-21, 2011, “Art History Meets Art Theory,” New Europe College–Institute for Advanced Study, Bucharest
Paper given at the conference jointly hosted by the Research and Academic Program at the Clark Art Institute, Williamstown, MA and the New Europe College-Institute for Advanced Study, Bucharest, Romania. This was third in a series of The Clark Art Institute’s East-Central Europe Seminar Series, “Unfolding Narratives: Art Histories in East-Central Europe after 1989.” Program can be found here.
Magdalena Moskalewicz 