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20.49.202023-07-10T18:32:01+00:00monthlyhttps://magdalenamoskalewicz.com/writing/rethinking-socialist-realism/2023-07-10T18:19:00+00:00weekly0.6https://magdalenamoskalewicz.com/2023/04/20/toward-an-anti-racist-art-ecosystem/https://magdalenamoskalewicz.com/wp-content/uploads/2023/04/ecosystem-panel-image-1.pngecosystem panel imagehttps://magdalenamoskalewicz.com/wp-content/uploads/2023/04/unnamed.jpgunnamed2023-04-27T18:01:37+00:00monthlyhttps://magdalenamoskalewicz.com/2021/11/17/afterlives-of-socialist-realist-monuments-in-postcommunist-poland/2023-03-29T21:23:40+00:00monthlyhttps://magdalenamoskalewicz.com/curating/the-travellers/2023-03-29T15:23:16+00:00weekly0.6https://magdalenamoskalewicz.com/2022/11/12/art-in-a-disrupted-world-poland-1939-49-book-discussion/https://magdalenamoskalewicz.com/wp-content/uploads/2023/03/pietrasik-book.jpegpietrasik-bookhttps://magdalenamoskalewicz.com/wp-content/uploads/2023/03/aseees-2022.pngAseees 20222023-03-29T15:13:05+00:00monthlyhttps://magdalenamoskalewicz.com/2022/03/04/the-global-rise-of-traveling-exhibitions-at-mid-century/https://magdalenamoskalewicz.com/wp-content/uploads/2023/03/caa-2022-conf-image.pngCAA 2022 conf image2023-03-28T18:27:21+00:00monthlyhttps://magdalenamoskalewicz.com/2023/03/28/public-sculpture-private-sculpture/https://magdalenamoskalewicz.com/wp-content/uploads/2023/03/red-line-service-art-organization-logo.pngRed Line Service, art organization logo2023-03-28T18:13:47+00:00monthlyhttps://magdalenamoskalewicz.com/2019/10/18/shared-polish-haitian-history-cazale-and-beyond/https://magdalenamoskalewicz.com/wp-content/uploads/2020/10/san_domingo-january-suchodolski.jpgSan_Domingo, January Suchodolski2023-03-28T18:10:39+00:00monthlyhttps://magdalenamoskalewicz.com/writing/knots-abakanowicz-and-the-polish-art-scene-in-the-1960s/https://magdalenamoskalewicz.com/wp-content/uploads/2023/03/magdalena-abakanowicz-exhibition-book-paperback-23560-7.jpegmagdalena-abakanowicz-exhibition-book-paperback-23560-7https://magdalenamoskalewicz.com/wp-content/uploads/2023/03/abalanowicz-study-of-textures.pngAbakanowicz Study of TexturesIn: Magdalena Abakanowicz (TATE, 2022)2023-03-10T20:44:04+00:00weekly0.6https://magdalenamoskalewicz.com/writing/crisis-in-polands-museums/https://magdalenamoskalewicz.com/wp-content/uploads/2022/01/zacheta-photo-czarek-sokolowski.jpegCrisis in Poland's Museums"Art in America" online, Dec 17, 20212022-01-27T10:17:26+00:00weekly0.6https://magdalenamoskalewicz.com/2021/04/15/what-are-our-genealogies-engaged-figurations-in-pre-war-central-europe/https://magdalenamoskalewicz.com/wp-content/uploads/2021/04/msn-conf-logo.jpegMSN conf logo2022-01-25T12:10:41+00:00monthlyhttps://magdalenamoskalewicz.com/2021/11/18/socialist-exhibition-cultures-international-workshop/https://magdalenamoskalewicz.com/wp-content/uploads/2022/01/socialist-exh-cultues-image.pngSocialist Exh Cultues image2022-01-25T12:06:07+00:00monthlyhttps://magdalenamoskalewicz.com/curating/in-the-words-in-the-bones/https://magdalenamoskalewicz.com/wp-content/uploads/2019/08/bca_wordsbones_install_a_melissablackall_-2.jpgBCA_WordsBones_Install_A_(MelissaBlackall)_-2https://magdalenamoskalewicz.com/wp-content/uploads/2019/08/bca_wordsbones_portraits_melissablackall_-25.jpgFrom left: Zsuzsanna Varga-Szegedi, Marina Laybishkis, Nyugen E. Smith, Magdalena Moskalewicz. Photo by Melissa Blackallhttps://magdalenamoskalewicz.com/wp-content/uploads/2019/08/bca_wordsbones_install_a_melissablackall_-20.jpgInstallation shot with "Spirit Carrier" by Nyugen E. Smith. Photo by Melissa Blackallhttps://magdalenamoskalewicz.com/wp-content/uploads/2019/08/bca_wordsbones_install_a_melissablackall_-57.jpgBCA_WordsBones_Install_A_(MelissaBlackall)_-57https://magdalenamoskalewicz.com/wp-content/uploads/2019/08/bca_wordsbones_install_a_melissablackall_-49.jpgNyugen E. Smith, "Trauma (on site/sight)" 2016. Photo by Melissa Blackallhttps://magdalenamoskalewicz.com/wp-content/uploads/2019/08/bca_wordsbones_install_a_melissablackall_-30.jpgInstallation shot with "Black Album" by Marina Leybishkis (2017) and "Trauma (on site/sight)" by Nyugen E. Smith (2016). Photo by Melissa Blackallhttps://magdalenamoskalewicz.com/wp-content/uploads/2019/08/bca_wordsbones_install_a_melissablackall_-27.jpgInstallation shot with works by Nyugen E. Smith. Photo by Melissa Blackallhttps://magdalenamoskalewicz.com/wp-content/uploads/2019/08/bca_wordsbones_install_a_melissablackall_-25.jpgBCA_WordsBones_Install_A_(MelissaBlackall)_-25https://magdalenamoskalewicz.com/wp-content/uploads/2019/08/bca_wordsbones_install_a_melissablackall_-33.jpgZsuzsanna Varga-Szegedi, "Site-Specific Self-Portrait," 2019. 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Instytut Historii UAM, 20112019-10-07T04:44:13+00:00weekly0.6https://magdalenamoskalewicz.com/contact/https://magdalenamoskalewicz.com/wp-content/uploads/2019/10/owl_grey.jpgowl_greyhttps://magdalenamoskalewicz.com/wp-content/uploads/2019/10/envelope.jpegenvelope2019-10-06T20:49:50+00:00weekly0.6https://magdalenamoskalewicz.com/curating/15-polish-painters-moma-1961/https://magdalenamoskalewicz.com/wp-content/uploads/2019/10/installation-images-moaa.jpegEphemera from the collection of the Museum of American Art, Berlin2019-10-06T20:00:38+00:00weekly0.6https://magdalenamoskalewicz.com/curating/polish-tongues/https://magdalenamoskalewicz.com/wp-content/uploads/2019/07/4.tongue_5-5.9-x-4-in-140-lb.jpg4.tongue_5 5.9 x 4 in, 140 lb,2019-09-19T23:58:51+00:00weekly0.6https://magdalenamoskalewicz.com/curating/halka-haiti/https://magdalenamoskalewicz.com/wp-content/uploads/2019/07/smc_halka_zaproszenie.jpgSMC_Halka_zaproszenieContemporary Art Center, Vilnius: Jan 23–Mar 13, 2016 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